Soylent Blu is an original wedge serif, single font designed by Steve Zafarana. Its high contrast character style and bouncy baseline create a visual impact that makes it a good candidate for Signs, headlines, logos and advertisements. The full lowercase set with balanced white space also functions quite well in text. Soylent Blu, with OpenType features, is clearly an attention-getter!
Life is a journey and every journey has their own special moments that give a deep personal feeling and memories to always remember. The Historium family is an attempt to capture that.
A Harmonious Set:
Historium comes with full set of uppercase, lowercase, alternate uppercase, alternate lowercase, ligatures, discretionary ligatures, contextual alternate, subscripts, and superscripts. Please see preview 5 to see the detail.
OpenType Support:
Please use a software or app that support opentype panel so you can easily access all the characters set like Adobe Photoshop CC, Illustrator CC, Indesign CC, MS Word 2010 or higher, QuarkXPress, ETC.
Klone is a slab-serif font that gives the impression of being clean and very elegant. This font supports Latin and Western European languages. It is also equipped with ligatures, so you can design without limits.
The Regular style has traditional square edges and corners, the Stamp style features rounded edges and corners.
Introducing Brunei Darussalam, a fashionable and luxury handwriting font, which looks like a signature. This font is intentionally made with unique ligatures and alternates.
Brunei Darussalam is perfectly suited for branding, logos, business cards, posters, invitations, greeting cards, news, product packaging, blog posters and more.
This font is also equipped with unique and interesting ligatures, by using this ligature you can give a real handlettered style.
Multi-Language support:
ŠÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏŸŽÐÑÒÓÔÕÖØÙÚÛÜÝßàáâãäåæçèéêëìíîïñòóôõöøùúûüýÿŒœšž
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Antemowa is modern script font, where every single letter has been carefully crafted to make your text look beautiful. With a modern script style, this font will perfect for many different project such as: quotes, blog headers, posters, weddings, branding, logos, fashion, apparel, letters, invitations, stationery, and more. This font includes alternate glyphs and beautiful swirls
How to access alternate glyphs:
Windows Character Map: https://www.youtube.com/watch?v=BScPsiubM1k
Adobe Illustrator: https://www.youtube.com/watch?v=y5XTaWYwWA4
Thanks for looking.
Say hello to South Pacific Marker , a new bold inky font with a casual handwritten feel.
South Pacific includes a large selection of natural-looking ligatures and extra alternate characters ( see previews) in it's Opentype Features - make sure you have your stylistic alternates switched on to enjoy all the extras.
Four handy swashes are also included in the glyphset - accessible via your glyphs panel.
A very legible Renaissance Antiqua
This typeface is based on the desire to create an Antiqua like those which might have existed at the beginning of the »printing age« — the basic form oriented on the classical Roman and early Middle Ages models, the ductus defined completely by writing with a wide pen and much individual expression in detail.
In the spring of 2005 I had the opportunity to closely examine a few pages in the famous book »Hypnerotomachia Poliphili« from 1499. The script used here from Aldus Manutius is exemplary. Most of the book, however, is not very carefully printed. The characters do not stay on the line; the print is at times too strong and at times much too weak.
And on these imperfect pages the true character of the letters is recognizable; that is, that they are cut with lively detail which is a result of the patterns provided by full-time writers. After all, around 1499 script was written as a rule and the printed type was oriented on this pattern.
I prefer the typeface on the lightly printed pages. The characters are not placed neatly on the line, but the distinct and emerging lively ductus of the individual characters automatically presents harmonious word formations in the eye of the beholder, with the non-perfect line stepping into the background.
Also in Charpentier Renaissance, the strokes of the wide pen are still noticeable. The font has very defined softly bent serifs. The forms are powerful and stand solidly on the baseline. Charpentier Renaissance is very legible and yields a solid and yet still lively line formation.
The accompanying italic, like its historical models, has almost no inclination. The lower case characters of Charpentier Renaissance Oblique have such idiosyncratic figures that they can also form a font of their own.