Showing posts with label bauhaus. Show all posts
Showing posts with label bauhaus. Show all posts

Download Nomenclatur Font Family From Aronetiv

Download Nomenclatur Font Family From Aronetiv
Download Nomenclatur Font Family From Aronetiv Download Nomenclatur Font Family From Aronetiv Download Nomenclatur Font Family From Aronetiv



The font was created under the influence of German tabular inscriptions. Especially, DIN font influenced on Nomenclatur graphic. It adds clarity and conciseness in the font. Nomenclatur is intended for use in architectural and design topics. It is also intended for a set of instructions and manuals. The font has the aesthetics of the Bauhaus and other constructivist movements. Characters of font are designed with high intelligibility, which makes it well readable in a small size. The lowercase letter "l" has a tail, so as not to confuse it with the capital letter "I", which has serifs. 

It avoids confusion in words like "Illinois". The font is well suited for the design of signs and navigation texts. A wide selection of styles allows you to design complex typography.


The font family includes 15 styles.

The font family has a variable font with two axes of weight and width.

The font contains a set of alternative characters that will allow you to create different moods.

The font contains Western European Latin and standard Cyrillic.

The font has more than 3,600 kerning pairs configured.

The font contains beautiful ampersand.



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Download Ghino Font Family From Guintype

Download Ghino Font Family From Guintype
Download Ghino Font Family From Guintype Download Ghino Font Family From Guintype Download Ghino Font Family From Guintype



The Ghino family of "modern geometric sans" consists of 20 fonts.


All the family's fonts contain 370 glyphs and are equipped with many typographic features.


Ghino Text is designed for those who prefer to use single-coded fonts not only in coding but also in many different environments of graphic design. The idea came from creating a font with single-spaced aesthetics, without breaking the single-spaced fonts.


Ghino is a geometric sans single-spaced font with all typographic features except spacing and character spacing.



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Ghino

Download Ghino Font Family From Guintype
Download Ghino Font Family From Guintype Download Ghino Font Family From Guintype Download Ghino Font Family From Guintype



The Ghino family of "modern geometric sans" consists of 20 fonts.


All the family's fonts contain 370 glyphs and are equipped with many typographic features.


Ghino Text is designed for those who prefer to use single-coded fonts not only in coding but also in many different environments of graphic design. The idea came from creating a font with single-spaced aesthetics, without breaking the single-spaced fonts.


Ghino is a geometric sans single-spaced font with all typographic features except spacing and character spacing.



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Download Klik Font Family From Fenotype

Download Klik Font Family From Fenotype
Download Klik Font Family From Fenotype Download Klik Font Family From Fenotype Download Klik Font Family From Fenotype



Klik is a universal sans serif family – clean and timeless. Both iconic and legible, Klik is suited to cover many needs from brand identities to editorial design, advertising, logos and beyond. Cyrillic characters are featured and a wide range of languages is supported. OpenType features are abundant – from built-in small capitals to various numeral styles (linear and old style; tabular and proportional, subscript and superscript).

Klik comes in three widths – each featuring eight weights and corresponding italics.



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Download Element M One Font Family From ElementM

Download Element M One Font Family From ElementM
Download Element M One Font Family From ElementM Download Element M One Font Family From ElementM Download Element M One Font Family From ElementM



Element M One is a clear and bright typeface with a touch of futurism. Specially made for signing, posters, covers and corporate identities. Also a perfect typeface for headlines.



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Download BF Corpa Gothic Pro Font Family From Brass Fonts

Download BF Corpa Gothic Pro Font Family From Brass Fonts
Download BF Corpa Gothic Pro Font Family From Brass Fonts Download BF Corpa Gothic Pro Font Family From Brass Fonts Download BF Corpa Gothic Pro Font Family From Brass Fonts



BF Corpa Gothic™ Pro is a kind of “Neue”-Edition of the beloved typeface designed by Guido Schneider. Inspired by hand-drawn geometric fonts from 1920s posters, this sans serif typeface is slightly condensed, and it appears compact and captivates with its expressive shapes and unique details, despite its pronounced Grotesque character. With its rather constructed, technical – but also vivid – appearance, the BF Corpa Gothic™ Pro is not only suitable for headlines and display applications, but is also pleasant to read in short and middle length text. The type family is engineered for exciting, professional but unusual designs. It is equipped with OpenType Features like 4 figure sets (LF, TF, OSF, SC), nice ligatures, many currency symbols, fractions, alternates, special characters, arrows and symbols – and small caps. 9 style sets give you the option to individualize and adjust the typeface to the requirement of your design, without changing the general visual feeling. In this way you can also switch the simply slanted styled Italic into a “real Italic”. Each of the 16 fonts (Upright and Italic) contains more than 940 glyphs and supports up to 220 Latin-based languages.


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Download Pivnaya-Latin Font Family From Roman Type

Download Pivnaya-Latin Font Family From Roman Type
Download Pivnaya-Latin Font Family From Roman Type Download Pivnaya-Latin Font Family From Roman Type Download Pivnaya-Latin Font Family From Roman Type



‘Пивная’ (Pivnaya) means ‘bar’ or ‘brewhouse’ in Russian. Pivnaya Latin is a display font published by Roman Type. Initially designed for a poster, the family quickly turned multi-script. In 2019, the global design community is busy celebrating the centennial of Bauhaus, silently triggering the question as to if or how the phenomenon matters in the lives we lead today, or whether it could rather be reduced to mere historic purposes. At that point, I found myself falling into the Bauhaus trap myself, preparing a typeface design workshop for a group of Lithuanian and Russian students. But by a typing error, I accidently made Google translate ‘Brauhaus’ (brewhouse) instead of ‘Bauhaus’. That is why I called this family ‘Pivnaya’ in the end. Pivnaya Latin works for: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portugese, Romanian, Slovak, Slovenian, Spanisch, Swedish, Turkish, Vietnamese, Zulu. Though being a decorative font, the International Phonetic Alphabet (IPA) increases usability for all kinds of purposes.


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Download Pivnaya-Cyrillic Greek Font Family From Roman Type

Download Pivnaya-Cyrillic Greek Font Family From Roman Type
Download Pivnaya-Cyrillic Greek Font Family From Roman Type Download Pivnaya-Cyrillic Greek Font Family From Roman Type Download Pivnaya-Cyrillic Greek Font Family From Roman Type



This is the Latin+Cyrillic+Greek version of poster/display font Pivnaya designed and published by Roman Type. It works for Afrikaans, Albanian, Azerbaijani, Belarusian, Bosnian, Bulgarian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Greek, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Macedonian, Maltese, Norwegian, Ossetic, Polish, Portugese, Romanian, Russian, Serbian, Slovak, Slovenian, Spanisch, Swedish, Turkish, Ukrainian, Uzbek, Vietnamese, Zulu. The International Phonetic Alphabet (IPA) makes it fit for a wider range of purposes.


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Download Pivnaya-Hebrew Font Family From Roman Type

Download Pivnaya-Hebrew Font Family From Roman Type
Download Pivnaya-Hebrew Font Family From Roman Type Download Pivnaya-Hebrew Font Family From Roman Type Download Pivnaya-Hebrew Font Family From Roman Type



This is the Latin+Hebrew version of poster/display font Pivnaya designed and published by Roman Type. It works for Afrikaans, Arabic, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Farsi, Finnish, French, German, Hebrew, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portugese, Romanian, Slovak, Slovenian, Spanisch, Swedish, Turkish, Urdu, Vietnamese, Zulu. Equipped with wider coverage of the International Phonetic Alphabet (IPA), Pivnaya-Hebrew is fit for all kinds of purposes.


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Download Styro Font Family From Indian Type Foundry

Download Styro Font Family From Indian Type Foundry
Download Styro Font Family From Indian Type Foundry Download Styro Font Family From Indian Type Foundry Download Styro Font Family From Indian Type Foundry



Styro is a family of modernist-style stencil fonts. There are eight weights available, ranging in color from Thin through Black. All of the typeface’s weights are virtually monospaced, and with each weight of the family, the outside ‘strokes’ building up the letterforms increase in thickness. Styro’s characters are very condensed, and their design employs a reductionist formal vocabulary. For example, the counter-forms are expressed by thin lines that run inside of the letters, from their tops to their bottoms. These ‘counters’ are optically of the same width as the spaces between each letter. Many of the fonts’ stroke terminals – like those on the top of the ‘a’ or on the bottom of the ‘g’ – are reduced to simple geometric shapes. Diacritic marks take the form of light thin lines, which create a nice degree of contrast with their base letters. This thin-line treatment is also applied to many of the fonts’ punctuation marks. Styro is reminiscent of a series of stencil letters designed at the Bauhaus by Josef Albers, although Styro includes separate shapes for both uppercase and lowercase letters, instead of being a unicameral design. The Styro fonts were developed by Aarya Purohit at Indian Type Foundry, and they are an excellent choice for use in editorial design pieces about modern art and design.


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Download Rondana Font Family From Sudtipos

Download Rondana Font Family From Sudtipos
Download Rondana Font Family From Sudtipos Download Rondana Font Family From Sudtipos Download Rondana Font Family From Sudtipos



Crafted in the best tradition of the geometric sans-serif, Rondana is a typographic tribute to the the retro-futuristic aesthetics of the 1960s and 70s, as well as an exercise in purity of line. However, its spirit is decidedly non-bauhausian, since its strokes intentionally deviate from the dull, obvious, ruler-and-compass construction; its arcs and curves being much more complex, tending towards a slightly square shape, imbued with subtle modulations. This sums up to a more organic, flowing, extroverted personality than the one just expected from the use of plain, simple geometry. Another feature is the conscious use of non-standard shapes for many signs, that are quite legible but somewhat unexpected, such as the E, the g and the ampersand; making Rondana an excellent display face and also giving a particular flavor to the text composed in it, especially in its italic variants —which are, by the way, designer italics in their own right and not just an oblique version of the roman. Rondana comes in twelve variants comprising a wide spectrum of weights, allowing for an extremely diverse range of expression.


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Download Cocomat Pro Font Family From Zetafonts

Download Cocomat Pro Font Family From Zetafonts
Download Cocomat Pro Font Family From Zetafonts Download Cocomat Pro Font Family From Zetafonts Download Cocomat Pro Font Family From Zetafonts



Cocomat has been designed by Francesco Canovaro and Debora Manetti as a development of the Coco Gothic typeface system created by Cosimo Lorenzo Pancini. It shares with all the other subfamilies in the Coco Gothic system a geometric skeleton with open, more humanistic proportions, a sans serif design with slightly rounded corners and low contrast proportions, without optical compensation on the horizontal lines, resulting in a quasi-inverted contrast look in the boldest weights. What differentiates Cocomat from the other subfamilies in Coco Gothic are some slight design touches in the uppercase letters, with a vertical unbalancing reminiscent of art deco design, notably evident in uppercase "E", "A","F","P" and "R" - while lowercase letters have been given some optical compensation on the stems, like in "n","m", "p" and "q". These design choices, evoking the second and third decade of the last century (Cocomat is also referred as Coco 1920 in the Coco Gothic Family) all give Cocomat a slight vintage feeling, making it a perfect choice every time you need to add a period vibe or an historical flair to your design, like in food or luxury branding. The typeface, first published in 2014, has been completely redesigned by the original authors in 2019 as Cocomat PRO to include eight extra weights (thin, medium, black and heavy in both roman and italic form), extra open type features (including alternate forms, positional numerals), and extra glyphs making Cocomat cover over two hundred languages using latin, cyrillic and greek alphabets.


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Download Kontora Font Family From NaumType

Download Kontora Font Family From NaumType
Download Kontora Font Family From NaumType Download Kontora Font Family From NaumType Download Kontora Font Family From NaumType



Kontora is elegant, universal and laconic geometric sans. Kontora has minimal amount of decor, mostly modern proportions and letterforms, but at the same time shows a touch of retro constructivist aesthetics. This version of Kontora sans comes in 9 weights, it has 590 glyphs, therefore it supports Latin Extended A (Western and Central European) and Cyrillic (Russian, Ukrainian, Bulgarian) languages. It has basic ligatures and two sets of stylistic alternates. Kontora is perfect for clean and minimalistic design, as well as it can be a breath of fresh air to a fully loaded complex layout. Use it for bold typography, headlines, posters, branding, packaging, it looks great in all caps and vivifies design as a text font.


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