Anfisa Kudryashova

Bellisa Sript is inspired by classic typography and brings its own unique style to every design project. This fantastic script font is best suited for headers of all sizes, and for blocks of text that have maximum and minimum variations. Be it for the web, printing, moving images or whatever - Bellisa Sript will look spectacular.

This font is PUA encoded which means you can access all the funny glyphs and swash easily! It also has many special features including alternative glyphs and ornaments.

Blaine is a multi-purpose display serif font that will fit perfectly into any project. contrastive and elegant, it carries a classic and at the same time modern contrasting performance.

You can also use alternates and ligatures for variety and this will add more charm to your project and emphasize your personality. Use it to create logos, book and magazine covers, branding, posters, flyers, outdoor advertising, stationery, business cards, and much more.

This font is easy to use, has OpenType features.

Aventa is an exciting geometric typeface with contemporary touches. It’s born from strong elementary shapes, with clean circles interwoven with modern cuts and sharp edges.

It has distinctive voice, retaining the simplicity and elegance of classic geometric typefaces with a fresh, stylish rework.

Its bold in personality and fills the space without shouting, appearing refined and confident. It’s high X-height and strong capitals sustain a large amount of visibility across all weights, and have been optically corrected for even better legibility.

It has been designed as a variable font to give lots of options and access to unique type looks; however it also includes nine weights to give just as much access to creativity to those without access to variable supporting software. Aventa's matching italics sloped at a lively 8º help give it a full range of expressions.

Its distinctive character and many variables make it a versatile, stylish workhorse, great for interfaces and design.

Each font contains just under 400 glyphs with full Western, Central and Eastern European language support.

Introducing unusual Sans Serif font family. The font is concise and minimalistic. But behind the apparent simplicity of the font is hidden the original feature in the form of modernized uppercase glyphs, which can be used as an accent in the header or logo. Pure letterings with excellent readability have 2 thicknesses. The font will emphasize the high status of the business and complement modern branding design, and the general versatility of the font provides for its widespread use in various directions and is combined with different styles in design. Balanced glyphs will fit into the typographic design and will not distract attention from the main point.

Features:

• Bold, Bold Italic, Regular, Regular Italic
• Upgraded uppercase letters
• Kerning

Neilvard is inspired by vintage labels and old school illustrations. Carefully created with high consideration of the versatility and classic feel. There are 4 fonts with different letterforms that gives a great combination with 2 major font and 2 secondary fonts as the sub-headline text. Also, completed with extra rough illustrations to boost your design projects. 

Neilvard font set is perfect for labels, posters, typographic design, packaging, sign painting, vintage logo, packaging, and apparel design. These fonts are basically created to be combined with other graphic elements such as illustrations, badges or icons.

PS: These are All-caps fonts, that suitable for display needs, with uppercase, numbers, symbols, and accents.

Hope you enjoy this good stuff, as much as I excited create them.

The upper-case letters of Lentzers fit into the shape of a convex lens and the lower-case letters fit into the shape of a concave lens. The typeface was designed to have concave shapes alternate with convex shapes so the letters snuggle together. The OpenType contextual alternatives (calt) feature will automatically make this happen if your word processor supports it. (To get only concave or convex shapes, one must turn off the contextual alternatives feature. With only concave shapes the spaces between letters form thin convex lenses and with only convex shapes the spaces between letters form thin concave lenses. The name of the family was inspired by these lens shapes and also by the name of distant ancestors.)

Lentzers is caps only. It comes in three weights: light, regular, and bold. It is eye-catching for posters and titles and poorly suited for text.

Tanker is a single-weight, uppercase-only, condensed sans serif. The ‘caps’ saved onto the font’s lowercase keys are of a different design that those you’ll get when you press the uppercase keys. So the font has two different versions of each letter for users to choose from, really. The ‘lowercase’ caps have more-traditional sans serif forms, while the ‘uppercase’ caps appear more experimental and dynamic. Like the letters, the font also has two sets of numbers. The second, alternate set of numbers is available via an OpenType Stylistic Set. All of the corners on Tanker’s characters are rounded off. This gives them a soft feeling, despite the weight of the characters themselves being somewhat heavy. Tanker is designed by Ruosi Huang.