Anfisa Kudryashova

Magic Script is a modern calligraphy font with a current handwriting style. This font is perfect for branding, wedding invites, magazines, mugs, business cards, quotes, posters, and more, you can try first if you want to buy this font.

To access the alternates you need a program that supports OpenType features such as Adobe Photoshop Cs/Adobe Photoshop CC, Adobe Illustrator CS/Adobe Illustrator CC, Adobe Indesign and Corel Draw and other programs that support OpenType. If you do not have a program that supports OpenType, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows)

If you have any question, don't hesitate to contact me by email hello.mrletters@gmail.com Thanks and happy designing.

Thank You for purchase!

This is a modern, ultra-thick Bodoni font with a lot of swashes.

A modern Sans Serif — prosaic, designed geometrically, beautiful in large sizes

All the dimensions of the font are based on Factor 10. The general principle of construction leads to slim forms and nearly equally wide characters. So the font appears very solid but is actually difficult to decipher in longer texts.

Along with the ”normal“ Guhly Regular there are also the two versions Guhly Light and Guhly Bold, whereas in each only the vertical strokes [Guhly Light] or horizontal [Guhly Bold] have been changed in strength. The result is a very individual decorative effect which slightly reflects old circus and western scripts.

The lower case characters in the version Guhly Book are, therefore, optimized to be suitable for longer texts in smaller font sizes — because after all, sometimes you should read a bit more than just the headline…

The design of a shampoo bottle stands behind the creation of this sans serif display font. Prominent, clearly constructed forms with circular arcs define its appearance. This is a font primarily designed for use with capital letters — for all sorts of advertising purposes, headlines and titles.

But lower case letters also belong to a good functional font; so, of course, Guhly includes them and ligatures for the more ”critical“ letter combinations as well as stylistic alternates for the letters K (or k), V (v) and o.

As a decorative “encore”, the Guhly family also contains the “normal” weight in two variants:

on the one hand the Guhly Cutout – these are letters without counter, as if the letters were cut out and the internal surfaces fell out; and on the other hand the Guhly stencil – as the name suggests, a stencil font with the typical bars that give a stencil the necessary cohesion.

Spicy Hour can be used for all your dishes and designs that needs that extra seasoning. Just mix, and you are ready to go!

The ingredients includes contextual alternates, which in this case means that every letter has 5 different versions, which automatically cycles as you type. In other words, it spices up your text!

Multilingual support is also a part of the dish! 

Mixink Std is a serif font features amazing swashes. It has a vintage feel and look that makes it perfect for any retro and nostalgic project.

Monbloc is a typeface inspired by geometry and lines. It intends to be a practical font wich gives the designer the freedom to incorporate it in his wildest designs.

Screen Sans is a large family of constructed-style sans serif fonts. These fonts feature forms that look like those that have been favored by engineers for over a century. Their letters are straight-sided, and the strokes that make them up are monolinear. The Screen Sans family includes 14 members. Seven of these fonts are italics, although these italic fonts should really be called ‘obliques,’ as the letters are slanted versions of what you’ll find in the upright fonts. The family’s weights range from Extralight through Extrabold. The x-height is moderate, so the ascenders and the descenders are quite prominent. The ascenders rise above the capital letters and the numerals – both of which share the same height. Each font uses a double-storey ‘a’ and single-storey ‘g’. Years ago, fonts like Screen Sans were primarily used to brand firms in engineering and tech. Recently, however, they have become increasingly popular solutions for setting text on screen. The Regular weight of this family would be excellent for setting body copy either on screen or in print. The other weights can be used for text sizes, too, but will function even better when used large.