Download Las Palmas Font Family From Fenotype

Download Las Palmas Font Family From Fenotype
Download Las Palmas Font Family From Fenotype Download Las Palmas Font Family From Fenotype Download Las Palmas Font Family From Fenotype



Las Palmas is a vintage type collection with print texture. • Brush - Two weights of a connected Brush Script with Contextual and Swash Alternates • Pen - A connected monoline Script with Contextual and Swash Alternates • Slab - Two weights of a chunky Slab Serif with rounded corners, Bold has the same proportions but fuller texture. • Condensed - A bold and tight condensed Sans Serif with rounded corners. Las Palmas fonts are designed to work together - in pairs or more. Las Palmas is great for branding, posters or any display use. If you need a clean version of Las Palmas try Steak And Cheese by Fenotype. All fonts are PUA encoded and have a wide language support.


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Download Brainly Script Font Family From Max.co Studio

Download Brainly Script Font Family From Max.co Studio
Download Brainly Script Font Family From Max.co Studio Download Brainly Script Font Family From Max.co Studio Download Brainly Script Font Family From Max.co Studio



Brainly Script is the font of choice for writing things that go beyond words. This font type is designed with high detail to deliver stylish elegance. So, it can be said, the character of the change is very beautiful, a kind of classical decorative copper script. Brainly Script presents alternative variants of most letters, binders, and many calligraphy tips, ideal for elegant labels, high-end packaging, personal stationery, and compositions for certain brands, beautiful titling, verses, letters and short texts, which are intended to be read only with the eyes or intended to whisper into someone's ear. Brainly Script has 792+ glyphs and 534 alternative characters, including various language support. With the OpenType feature with an alternative style and elegant binder. The OpenType feature does not function automatically, but you can access it manually and for the best results needed for your creativity in combining these Glyph variations. And also a touch of ornament makes this font look elegant. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ How to use stylistic sets fonts in Microsoft Word 2010 or later versions: https://www.youtube.com/watch?v=NVJlZQ3EZU0 There are additional ways to access alternates / swashes, using the Character Map (Windows), Nexus Font (Windows) Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all the alternative characters, using the Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or advice, please contact me by e-mail "maximal.fonts@gmail.com" Thank you for watching!


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Download Fractus Font Family From Eurotypo

Download Fractus Font Family From Eurotypo
Download Fractus Font Family From Eurotypo Download Fractus Font Family From Eurotypo Download Fractus Font Family From Eurotypo



The requirements of Middle Ages scribes who copied and produced books in monasteries were fundamentally to preserve space, due to the high cost of the writing surface. During this long period of the development of Gothic forms, many other variations of the style of black letters appear: Textur or “Gothic-antique”, another group called Rotunda preferred by Italian and Spanish scribes. In 1490, the style "Bâtarde" (according to the the French classification) began to be widely used in Germany with more rounded shapes and named Scwabacher (probably derived from the city of Schwabach, but not certified) Fractur is a more condensed and narrower form than Schwabacher. This style is attributed to Johann Neudörfer of Nuremberg, cut in 1513; it was quickly imitated, therefore a few years later became to be a German national identity that extended over the next four centuries. The shape of its characters can be considered as a fusion of Texture and Schwabacher: the lowercase actually has medium strictly vertical and half curved strokes. The first expressions of the baroque influence this writing whose appearance of movement is due to the ornaments applied to the uppercase letters and the ascending and descending features of the lowercase. Despite having spent so many years and being a typeface not suitable for extensive reading texts, the Gothic Fractur has endured over time for possessing a strong and solid characteristic, as well as being closely linked to the spirit of gothic cathedrals of countries in northen Europe. In fact, it is probably that this expressive feature leads them to be chosen in the most varied graphic communication needs, which run from from banks and financial companies, insurers, law offices, publishers, newspapers and TV networks, till alcoholic drinks, funeral tombstones, packaging and even tattoos.


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Download Redsniper Font Family From Locomotype

Download Redsniper Font Family From Locomotype
Download Redsniper Font Family From Locomotype Download Redsniper Font Family From Locomotype Download Redsniper Font Family From Locomotype



Introducing Redsniper, a brand new font with a vintage look inspired by Victorian typography. Available in three styles with different variations including regular, inline and classic, making it easier to design a variety of typography. Redsniper is suitable for making label designs, posters, logotypes, signage etc. especially when you want a retro and old-fashioned design.


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Download Miklos Font Family From George Tulloch

Download Miklos Font Family From George Tulloch
Download Miklos Font Family From George Tulloch Download Miklos Font Family From George Tulloch Download Miklos Font Family From George Tulloch



The gifted Hungarian punch-cutter and printer Miklós Kis was active in Amsterdam in the 1680s. Among the many fonts that he cut during those years were a ‘mediaen’ (pica-sized) roman and italic, and the digital Miklós fonts are an interpretation of these ‘mediaen’ types. The character set has been extended to cover all the European languages that use the Latin alphabet, and the fonts offer OpenType features such as small capitals; old-style and lining figures, both proportional and tabular; fractions; superior and inferior numbers; superior alphabet; contextual and stylistic alternates; and intelligent application of long ‘s’.


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Download Attention Font Family From Haksen

Download Attention Font Family From Haksen
Download Attention Font Family From Haksen Download Attention Font Family From Haksen Download Attention Font Family From Haksen



I would like to introduce my new collection with the name Attention. Attention is a beautiful font duo that is made for gorgeous logos, posters, wedding invitations, blog posts, social media, and more! I love using them together with layer masks in Photoshop, so it looks like the script is running through the lines of the serif. The serif looks stunning with tracking set to 100 or more, as well as where it falls normally at 0! Attention Script includes over 30 ligatures to make everything look totally hand-done. I've also included 6 free business card templates (editable in Adobe Illustrator), so designing your brand or next project is a total breeze! What's Includes: - Ligatures in script - Numbers + Punctuation - Non-English support Please contact me if anything question, I'm glad to help :) Happy Designing, Haksen


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Download Qualta Font Family From Alt-A Typefaces

Download Qualta Font Family From Alt-A Typefaces
Download Qualta Font Family From Alt-A Typefaces Download Qualta Font Family From Alt-A Typefaces Download Qualta Font Family From Alt-A Typefaces



Qualta was initially designed in 2017 as a submission for a type design assignment while at typography school. Set on producing a geometric sans, it started with the circular form drawn from a 50s television screen. The bloated shape gave an illusion of protrusion and so much open space to the rounded letters. A broken stem was then added to the lowercase to provide a notch that allowed the typeface legibility in smaller sizes. The typeface was then developed into eight cuts with their corresponding italics. The lower case g includes a variation with a transitional link derived from the upper case Q’s tangent tail. Qualta’s original concept was designed by Isabel Gatuslao and was developed by Pedro Gonzalez.


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