Dephiana is an elegant and bold stylish script font. Great for logos, wordmarks & signboard. Has several stylistic alternates that can be used as needed.
Download Dephiana Font Family From Nurf Designs
calligraphy
,
elegant
,
handwritten
,
lettering
,
logotype
,
script font
Download Talent Stencil Font Family From Jeff Levine
Stencils have played a number of roles over the years, from decorative patterns to military markings; from labeling shipping containers to a student’s school project.
One unusual application of a stencil alphabet was some metal letters spotted for sale at an online auction site. These antique letters were used for promoting the current show on a theater marquee just as plastic ones are used nowadays.
Following the auction images as a guide, the Roman stencil font from those marquee letters is now preserved digitally as Talent Stencil JNL; which is available in both regular and oblique versions.
Download MartiniThai Neue Slab V2 Font Family From Deltatype
Award winning 2017 font from Demark (Thailand) and G-Mark (Japan) in Graphic Design, MartiniThai Neue Slab is now available with better taste.
Deltatype created a better version of MartiniThai Neue Slab V2: refined for better outline, we fine-tuned all outlines for better letterforms. Proportion were adjusted for better consistent. Metrics got new values for increased readability. Kerning, fine-tuned kerning pair for better spacing between the letters.
MartiniThai Neue Slab V2 comes in six weights: Thin, Light, Regular, Bold, Extra Bold, Black. Thai Language is included in this package.
MartiniThai Neue Slab is a unique slab serif in Thai Script that creates a sense of timeless and contemporary feel and is used by a media provider and nationwide in Thailand.
Download Gothiks Round Condensed Font Family From Blackletra
advertising
,
blackletter
,
branding
,
clean
,
condensed
,
contemporary
Gothiks Round Condensed is the rounded version of Gothiks Condensed. It is a 6-weight display sanserif influenced by Texturas. The rhythm and verticality of Texturas can be easily identified on the letters with diagonal strokes like A N M K k V v W w X x Y y Z z: here they are all vertical. This kind of morphology was chosen because it accepts condensation in a very natural way, giving to this sans-serif a very unique personality. It has an extensive character set—with extensive language support—and many OpenType features like fractions, small capitals and different figure sets. Default figures align with lowercase. The typeface’s name refers to the plural of the word Gothic, which in turn can refer to both san-serifs or Blackletter, depending on geographic location. Use it BIG!
Download Tilda Script Font Family From Roman Polishchuk
Tilda Script Family is a clean and lining script with regular and non-connect versions in four weights.
With this family you can craft solid logotypes with a unique look, set posters and ads, and even run longer lines of copy on packaging.
Tilda Script is a versatile family with extensive language support and advanced typographic features including:Ligatures, Stylistic Alternates, Stylistic Sets.
Download Mollen Font Family From Eko Bimantara
bold
,
bold font
,
brand
,
branding
,
branding typeface
,
brandingfont
Mollen is sans serif font family that designed to be functional. Each glyphs are shaped by geometrical form with specific visual structure: Simple and clean form with low contrast stroke, rounded 'o' in the normal width, mix diagonal and straight cuts on terminals and finials. Low capitals, with flat top and low descenders. With this personality, Mollen meant be fit for modern, contemporary and technological nuance.
Mollen consist of 48 font with 8 weight: From Thin to ExtraBold and 3 width: Condensed, Narrow and Normal. With each matching Italics. It also contain 425 glyphs and several opentype features.
Download Aodaliya Font Family From Type Associates
advertising
,
architectural
,
australian
,
banners
,
branding
,
brochures
As a practicing graphic designer there have been numerous occasions when I have needed a font that didn’t exist. More often than not the style I was looking for was described as an extra-condensed sans-serif with a contemporary look that was available in a variety of weights. Small caps would be useful, so would a range of numeral styles. And matching italics too, of course. The proportions would consider viewing on hand-held devices, cell phones, remote controllers. And not forgetting that the font would be used in situations which required stacking the lines close. So the overshoots needed to be eliminated – the exaggeration of extremities that are intended to avoid round characters appearing smaller than their more squarish counterparts, often colliding when linespacing is tight. As I refined the design, I tested it on several works-in-progress providing a valuable testing ground and proving popular with my clients.
Subscribe to:
Posts
(
Atom
)